Sunday 29 April 2012

Beats, Rhymes & Christ: KJ52 - 'They Like Me' ft. Lecrae



Not my usual cup of tea, but I'm loving these lyrics from Lecrae explaining, with much panache, why race doesn't matter when it comes to the need of salvation:

"I don’t do black music, I don’t do white music,
I do fight music, unified in Christ music,
Lets get right to it, hear the music write to it,
From the context of a black kid fighting through it,
Some folks said it was worldly; it was too good,
Some folks was scared of it; it was too hood.
So I took it to the places who would embrace it,
And sometimes believe it or not it was white faces.
Am I a sellout assimilating what’s in my head?
No I am cyclops homie 'cause all I see is red;
People covered in the blood are my fam,
And we don’t just relate we all related through the Lamb,
My family tree is a lower case 't',
And we are all the same cause you need him like me,
We different but the same and it’s likely,
They just like me that’s probably why they like me"

I also likes the fact that he addresses his haters with the 5th and 6th lines - he's got a point.

Saturday 28 April 2012

Beats, Rhymes & Christ: 'Slave Trade' - J. Miles (of iSix:5) (EP Review)

I picked up on iSix:5 after Shai Linne tweeted about them – enough of a cosign for me. Shai’s recommendation didn’t disappoint as the group’s music is rich in hermeneutical, theological exegesis of the bible.

On ‘Slave Trade’ iSix:5 member J. Miles continues in the group’s groove as he explores biblical ideas of slavery. The EP’s concept is adhered to closely throughout its 7 tracks and the project avoids the pitfall of becoming repetitive. Whilst the title may conjure up thoughts of civil rights movements, parliamentary reform and ongoing worldwide oppression, the material here delves beyond things of this world into the spiritual realm – everyone is a slave to one thing or another, when one stops being a slave to sin, they become a slave to Christ – a trade takes place. Romans chapter 6 presents the grounding for the teaching of J. Miles and his ‘Slave Trade’ EP:

“Don’t you know that when you offer yourselves to someone as obedient slaves, you are slaves of the one you obey —whether you are slaves to sin, which leads to death, or to obedience, which leads to righteousness?”

Closely linked to the concept of slavery is that of adoption. ‘Adoption’ (featuring Barabbas Da Rebel and J. Paul) explains very adeptly how the first readers of the letter to the Romans would have understood the concept of slavery and sonship. J. Miles and Barabbas present a concise history lessons on Roman citizenship and in the process they explain how these words in Romans 8:15 apply to us:

“The Spirit you received does not make you slaves, so that you live in fear again; rather, the Spirit you received brought about your adoption to sonship. And by him we cry, “Abba, Father.”

‘Identical Strangers’ starkly discusses sin and atonement before the summery beat of ‘Keep Your Heart’ (featuring Omri) catches the listener’s ear with its conversation on guarding one’s heart – the fact that J. Miles uses his last verse as an opportunity to reference scripture verses is heartening – here is a rapper striving to be faithful to God’s word, encouraging his listeners follow in the footsteps of the Bereans by testing what he is saying by scripture.

‘Love Letters’ (featuring Leah Smith) is a beautiful track which explains to 3 people (one being J. Miles’ then unborn son) that Jesus loves them and wants to make them new. ‘Kill It For His Glory’ (featuring JG) is a great last song as it encourages us, as slaves to righteousness, to do a good job of it. ‘Why?’ is a spoken word piece which draws together the ideas presented on the EP using scripture; J. Miles explains the gospel clearly and simply without watering down the message.

For what it’s worth, I will continue to champion music of this caliber. As my pastor explained this week, Hip Hop has the potential to convey a great many truths as it is a culture which revolves around using many words to convey meaning – this is why music such as J. Mile’s ‘Slave Trade’ EP must be made and why it should be heard.

Visit the iSix:5 website for more information.

Follow J. Miles on Twitter

Get Slave Trade on iTunes

Saturday 21 April 2012

Beats, Rhymes & Christ: 'Sinderblock' - Sev Statik & Vinylcologist (EP review)

Another review from yours truly:

"There’s depth to the production and depth to the vocals. Maybe it’s the still-scratchy, warm and familiar-sounding samples of guitar riffs, organ loops and funk breaks. Maybe it’s the un-Boom Bap drum rhythm of the “50 Ways To Leave Your Lover” sample on lead single “Right and Exact.” Maybe it’s Sev’s instantly-likeable tone and precise but laid back flow. Maybe it’s the Beastie Boys vocal samples on “Represent ‘Chall.” I don’t know what it is, but in a short space of time Sev Statik takes things way beyond the shallows, wading through layers of pure Hip Hop components."

Go to SOHH.com for the full review.

Go to Sev Statik's Bandcamp page for the free download!